Spratt’s Flaps: Midwifery, Creativity, and Sexuality in Early Nineteenth-Century Visual Culture
نویسندگان
چکیده
In 1833, an unusual book was published in London, Edinburgh, and Dublin. Written illustrated by the surgeon artist George Spratt, Obstetric Tables stood out among midwifery guides of period for its coloured lithographic illustrations, mobilised construction paper flaps. This article explores way these flap prints contributed to medical pedagogy, but also looks much more widely at their cultural resonances. Through interaction with wider visual cultures, Spratt’s tables engaged not only literature, social anxieties over nudity sexuality, propriety, power popular print. By studying alongside comic satirical mobile prints, obscene pornographic “fine art” nudes, this demonstrates how images can be addressed as rich complex resources histories that are medical, visual, cultural.
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ژورنال
عنوان ژورنال: British Art Studies
سال: 2021
ISSN: ['2058-5462']
DOI: https://doi.org/10.17658/issn.2058-5462/issue-19/rwhiteley